"How much am I in control of my destiny? That was one of my main questions during the 90’s. At the same time I was in love with the idea that photographs are perceived as reality. By creating images that looked real, I was able to write my own history. If I was feeling lonely, I had intimate images to remind me I was not alone. Photographs of rooms, objects, and the arrangement of furnishings represented a balance between choices and chance. When a band that had been styled and put into a staged situation but looked caught off guard in my shot, I was in heaven. The 1990’s presented opportunities through new magazines where fashion was just an accessory to tell a story, Chloë Sevigny was still a kid, a hand could be an eye, and to surpass our limitations was the expected outcome." M.K.
10.30.2013
1990s IN ETERNAL OPTIMIST
1990s in the Eternal Optimist!
"How much am I in control of my destiny? That was one of my main questions during the 90’s. At the same time I was in love with the idea that photographs are perceived as reality. By creating images that looked real, I was able to write my own history. If I was feeling lonely, I had intimate images to remind me I was not alone. Photographs of rooms, objects, and the arrangement of furnishings represented a balance between choices and chance. When a band that had been styled and put into a staged situation but looked caught off guard in my shot, I was in heaven. The 1990’s presented opportunities through new magazines where fashion was just an accessory to tell a story, Chloë Sevigny was still a kid, a hand could be an eye, and to surpass our limitations was the expected outcome." M.K.
"How much am I in control of my destiny? That was one of my main questions during the 90’s. At the same time I was in love with the idea that photographs are perceived as reality. By creating images that looked real, I was able to write my own history. If I was feeling lonely, I had intimate images to remind me I was not alone. Photographs of rooms, objects, and the arrangement of furnishings represented a balance between choices and chance. When a band that had been styled and put into a staged situation but looked caught off guard in my shot, I was in heaven. The 1990’s presented opportunities through new magazines where fashion was just an accessory to tell a story, Chloë Sevigny was still a kid, a hand could be an eye, and to surpass our limitations was the expected outcome." M.K.
Labels: 1990s BOOK PRESS
10.29.2013
1990s WITH COSAC NAIFY
1990s with Cosac Naify in Brasil!
Você pode comprar seu livro aqui!
Text by João Perassolo!
Você pode comprar seu livro aqui!
Text by João Perassolo!
A imagem que melhor representa 1990s é, não por acaso, a escolhida para estampar a capa: uma jovem, Neca, capturada no exato momento em que cai na piscina, água espirrando para todos os lados. “Ninguém sabia o que ia acontecer, mas a gente não podia parar” avisa o leitor o texto de introdução, escrito pelo fotógrafo autor do livro, o paulistano Marcelo Krasilcic [que autografa no dia 5 de abril na SP-Arte].
O conjunto de 179 fotos reunidas em dois volumes gigantes captura a efervescência da música eletrônica nos anos 90 e seu entorno de moda, vida gay e comportamento. Foi o momento em que o underground passou a ser mainstream, quando lounge não era conhecido como música de elevador. Vide as imagens da atriz Chloë Sevigny no ferry e no metrô do World Trade Center, poucos meses antes da fama no filme ‘Kids’ (1995); ou o duo de trip-hop Everything But the Girl em pose blasè no banco traseiro de um carro, foto icônica que virou a capa do belo disco ‘Walking Wounded’ (1996).
Essa revolução na cultura jovem só poderia ser registrada com exatidão a partir do maior centro produtor de hypes do mundo, Manhattan, para onde Krasilcic se mudou com 20 anos, em 1990. Primeiro como estudante de fotografia da New York University e depois como profissional, abastecia as revistas Dazed & Confused, Purple, Self-Service e Visionaire, porta-vozes do movimento. Era a pessoa certa, no lugar certo, na hora certa. Sobram poses engraçadas nos ensaios fotográficos para os periódicos, a exemplo do modelo Maurizio chupando o dedão do pé ou da garota Nikki gritando com a boca colada no vidro do carro.
Embora boa parte dos cliques tenha sido produzido sob demanda comercial, paradoxalmente o aspecto mais bacana de ’1990s’ é seu tom pessoal, não-jornalístico, como se o autor nos mostrasse seus álbuns de fotos. O artista chama carinhosamente estes anos de sua “década de descoberta” – daí os registros de seus amantes e amigos, a maioria nus ou semi-nus, em espírito de festa-sem-fim: deitados em poses eróticas, correndo (para a piscina?) no reduto gay Fire Island, fazendo festa em grupo na cama de casal, olhando para a lente do fotógrafo com a toalha enrolada na cintura. Estão retratados personagens da cena paulistana como o estilista Dudu Bertholini e o diretor do Mix Brasil André Fischer, à época bastante jovens.
1990s guarda um forte parentesco com Babado Forte (Editora Mandarim, 1999), livro da jornalista Erika Palomino que lança um olhar apaixonado sobre a interface da juventude de São Paulo com a moda, a noite e a música eletrônica na virada do século 21. Foi quando “a grande mídia habituou-se a cobrir estes assuntos com atenção e simpatia”, ela diz. Era o início do plano Real, a globalização e a internet davam seus primeiros passos, e isto fazia a informação circular mais rápido, colocando o país definitivamente na rota do consumo cultural.
O trabalho de Krasilcic traz de volta estados de humor que parecem ter perdido espaço no imaginário sisudo do novo milênio: a diversão pela diversão, o prazer da descoberta do mundo, a deliciosa fantasia da vida noturna que dizia “don’t forget your sunglasses” – não esqueça os óculos escuros – porque a festa iria até às 11 horas da manhã do dia seguinte.
Labels: 1990s BOOK PRESS
10.28.2013
10.27.2013
1990s IN DAZED & CONFUSED
1990s in Dazed & Confused!
Text and interview by Laura Rzemieniecka!
Text and interview by Laura Rzemieniecka!
Marcelo Krasilcic was part of a generation of photographers that moved to New York in the 1990s and he quickly became known for his spare but erotic photographs of liberated youth, artists, designers and musicians, such as Maurizio Cattelan, Chloë Sevigny and Everything but the Girl – photographs that captured the spirit of the 1990s in situ. Krasilcic went on to forge an international career as a fashion photographer, portraitist and director of art, music and fashion videos.
His work has appeared in several fashion publications such as Dazed & Confused, Harpers Bazaar, Vogue, Elle and Vogue Hommes International. He created campaigns for Nike, Moêt & Chandon and Bergdorf Goodman among many others; and photographed actors and musicians such as Willem Dafoe, Joaquin Phoenix, M.I.A., Caetano Veloso and Drake.
Krasilcic is now exhibiting his work at the Colette in Paris from the February 25th to March 30th 2013, where he will also be selling his new book, an over sized, cloth bound two-volume publication which chronicles the photographer’s iconic and intimate aesthetic that continues to inform today's lifestyle and fashion photography.
You have a new book that’s just come out, could you tell us a bit about it?
The book is a collection of fashion, portraits, interiors, nudes and personal photos of friends, family and lovers taken in the 1990s. It is an oversize, clothbound, slipcased, two-volume publication. The internet didn’t exist in the 90’s and it is a great pleasure to introduce these images I love to a whole new generation.
You’ve shot celebrity music artists such as M.I.A, William Dafeo and Drake, is there anyone else you would love to do a photo shoot with?
I love shooting celebrities and portraying them more intimately then they are used to be seen. There are so many amazing people I haven’t shot yet but the ones that come to mind today are George Clooney, Anne Hathaway, Maggie Smith, Joseph Gordon-Levitt, Rihanna, Barack Obama, Madonna, Demi Moore, Prince Harry, Kim Kardashian, Vanilla Ice and Neymar.
Your editorial style proved incredibly influential. How would you characterise your take on photography?
I like my images to look real, intimate and inquisitive. But Krazy Chic is my style signature!
You worked for our magazine for a while. What was that like?
It was one the most amazing magazine experiences ever! Being surrounded by some of the most talented people in the industry and at the epicenter of the creative wave of the 90’s was sweet.
When your career started, your photographs were described as capturing the spirit of the 1990s, do you feel some of you photographs still reflect the 90s?
In the 90’s, ideas were more important then anything else. Since then, I have learned to make sure the clothes also look beautiful. But my aesthetics and dedication to the work haven’t changed.
How do you think moving to New York in the 90s helped your career?
New York embedded me with a sense of freedom and hard work that mixed with my innate Brazilian fun and sensuality created the right balance for success.
What has been your best memory of your career so far?
What has been your best memory of your career so far?
Oh, there are so many incredible memories that it is impossible to pinpoint just one! But I recently shot a 69 years old iconic transvestite that reminded me of how fearless we can be.
What have you got planned for the future?
What have you got planned for the future?
Besides inspiring people with my photography and cooking (yes, watch out for those vegan recipes!), I am looking forward to being a bit more Krazy and a lot more chic!
Labels: 1990s BOOK PRESS
10.26.2013
10.25.2013
10.24.2013
10.23.2013
#PHOFOAM IN CENTER FOR AESTHETIC REVOLUTION
Read the entire posting and view the #PHOFOAM images by Pablo León de La Barra in the Center for Aesthetic Revolution!
Labels: #PHOFOAM, #PHOFOAMANCE
10.22.2013
10.18.2013
#PHOFOAM PHOFOAMANCE IN FIRE ISLAND
#PHOFOAMING selects of my #PHOFOAM performance in the Fire Island Pines Performance Series. With Johannes Vogt, Pati Hertling, Fabian Bernal, Daniel Werner, Daniel Gortler, Charles Renfro, Alexander Galan, Ryan Bradshaw Greene, Italo Zucchelli, Carlos Motta, Pablo Leon de la Barra, Evan J. Garza, Ryan James MacFarland, Dave Harper, Angela Donhauser, Julian Asfour, Adi Gil, Gabi Asfour, Jessica Mitrani, TM Davy, Michael Bullock, Cay Sophie Rabinowitz, Paul Mpagi Sepuya, Tyler Ashley, Faris Al-Shathir and Alejandro Garcia among many others! Be creative! PHOFOAMANCE in the air!
Labels: #PHOFOAM, #PHOFOAMANCE, PERFORMANCE, PILLOW, SUMMER
10.16.2013
9.23.2013
ROGÉRIA
The magnificent Rogéria for Candy Magazine and RG!
Styled by Dudu Bertholini
Hair & make up by Lau Neves
Photo assistant Arnaldo Borensztajn
Retouched by Jeremy Dyer
Special thanks to Vinicius Navarro and Ronald Monteiro
ROGÉRIA
I have loved Rogéria since I was a young boy. I grew up in
Brazil, at a time when anything queer was taboo, and she was my first reference
to something beautiful, different, exotic and yet cheerful, proud and
celebrated by everyone.
I have wanted to photograph Rogéria for a long time and I
was very excited when after more then a year pursuing her, we were able to finally
schedule a date. Rogéria is a busy lady, but it was all worth it as she arrived
lovelier, more intelligent, entertaining and fabulous then I could have ever
imagined.
Born in the State of Rio de Janeiro and an excellent soccer
goalie, Rogéria gave up on a possibly brilliant sports career when at 15 she
tried on a wedding dress and realized she preferred a different kind of audience,
and would much rather play with two balls, than of one. Songs have been written
about Rogéria, who has performed all over the world, met many powerful people
and has won a Mambembe award (equivalent to a TONY award) for her theater work
in Brazil.
Stunning, sharp tongued, courageous, inspiring and the
ultimate icon to all Brazilian gay and trans people, Rogéria has gathered many
compliments but above all, her talent has captivated the minds and hearts of
all Brazilians for over 50 years.
Rogéria was born 70 years ago and her real name is Astolfo
Barroso Pinto. Ironically, in Brazil, the word 'pinto' is a commonly used slang
for penis, and Rogéria very proudly speaks of having kept hers intact. She
insists that her macho brother who is also her best friend, still calls her by
her childhood nickname 'Tolfo', just so she doesn't loose sight of where she
came from. Deep inside, she never
feels like a woman, for as she says, "I don't have a woman's soul".
Instead, she says, "I have the mind of a woman".
Having started in show business doing hair and make-up for
some of the most famous actresses of the time, soon, encouraged by those same
actresses, she began performing and became a sensation herself.
Since then, Rogéria has lent her talent to hundreds of
theater plays and musicals, movies, soap operas and samba school parades. She
has been a judge on some of the most popular TV shows and has been interviewed
by the most prominent people in Brazil. Along the way, she spent almost 10
years travelling the world and performing in Portugal, Spain, Paris, Tehran and
New York among many other places.
Nowadays, audiences can see her playing a caring mother and
grandmother in an acclaimed soap opera in the largest Brazilian TV network.
Her character doesn't take no for an answer - and neither
does Rogéria.
During the military dictatorship she says she kept her mouth
shut when needed but had to fight for her right to perform and won the battle.
She attributes her determination to her family's constant
love and support.
When she was 12, for example, her aunt saw her wearing a
yellow skirt and told her mom about it. Instead of harsh words, the mother,
asked Rogéria, "Why did you let your aunt see you?". And then she sent
her to the movies, where she repeatedly watched 'How to Marry a Millionaire',
starring Marilyn Monroe.
In the 60's, Rogéria actually had a millionaire boyfriend
who cried incessantly when he got dumped. She wasn't interested in his money
for she had met the love of her life, a dark skinned man she called Preto. They
met during carnaval in Rio and she fainted when they first kissed. She was deeply in love, which, for
Rogéria involves having orgasms, pain in the heart and tears running down her
face, all at the same time.
They were together for 5 years and lived with Rogéria's
family because her mother wouldn't let her move out. They are friends to this
day. But when Preto asked her to choose between show business and their
relationship, there was no doubt in her mind. She was born an artist and even
the love of her life couldn't keep her away from the stage.
Two major passions, many passionate lovers - some famous and
secret, others, just regular guys - and several decades later, Rogéria prefers
to live by herself in order to avoid her lovers' jealousy. The common ground between them all is
their large cocks. Rogéria is a
proud 'size queen' and tells me about one of her lovers who sports a 25cm
penis. He is 32 years old now and they have been lovers since he was 19. Another
one of her lovers, a 28-year-old sweet-faced man, had an orgasm, just by looking
at her.
How did her sexuality change over time? Nowadays, she says,
"I don't need to have an orgasm every day, a few times a week is
enough". And intercourse is not part of Rogéria's repertoire anymore. But
don't try to kiss her and be all romantic in bed. She already gets plenty of
love from her adoring fans. In bed she likes the look of disdain in her lover's
face. It is the key to her orgasm.
Rogéria hasn't had any plastic surgery, although a car
accident in 1981 left her with a visible scar on her face. But that never
stopped her either. One month after the accident she was back on stage. When I
asked if she had implants on her breasts, she was offended and made me touch
them while to my delight, proceeded to smooch them onto my face.
Rogéria has always wanted to be defined and respected by her
talent. And that she has greatly
achieved. But her charisma and joie de vivre have also greatly permeated
everything she does. Whenever she
steps out into the streets, hoards of fans, from old ladies who comment on her
hair (and declare their adoration) to married men who ask about her perfume so they
can buy the same one to their wives, most want to take a photograph next to
Rogéria. And to that she always obliges, happily, with her exuberant smile.
She welcomes everyone and we all love Rogéria. I asked her
to define herself, to which she simply replied, "I am the transvestite for
the Brazilian family".
I don't have words to describe what I experienced that day.
Rogéria posed, danced, sang, told stories, entertained and performed for the
crew. I wish the whole world could have been with us, for it would have become
a better world. Instead, I share these images with you and hope that in some
way, they honor the talent of one of the most inspiring and greatest beauties I
have ever met.
ROGÉRIA PERFORMING
✮ CANDY 6 ✮ ROGÈRIA ✮ from By Luis Venegas on Vimeo.
A behind the scenes video of Rogéria performing during our shoot for Candy Magazine!
I wish the whole world could have been there with us, for it would have become a better world!
A behind the scenes video of Rogéria performing during our shoot for Candy Magazine!
I wish the whole world could have been there with us, for it would have become a better world!
9.20.2013
9.17.2013
9.13.2013
9.12.2013
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